American Women Authors and Literary Property, 1822-1869

Front Cover
Cambridge University Press, Oct 17, 2005 - Literary Criticism - 272 pages
Through an exploration of women authors'engagements with copyright and married women property laws, American Women authors and Literary Property, 1822-1869, revises nineteenth-century American literary history, making women's authorship and copyright law central. Using case studies of five popular fiction writers Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Evans, and Mary Virginia Terhunee, Homestead shows how the convergence of copyright and coverture both fostered and constrained white women's agency as authors. Women authors exploited their status as nonproprietary subjects to advantage by adapting themselves to a copyright law that privileged readers access to literature over authors property rights. Homesteads' inclusion of the Confederacy in this work sheds light on the centrality of copyright to nineteenth-century American nationalisms and on the strikingly different construction of author-reader relations under U.S. and Confederate copyright laws.
 

Contents

Coverture Copyright and Authorial
15
Catharine Sedgwick Female
63
Harriet Beecher Stowe
105
Fanny Fern and Periodical
150
Augusta Jane
192
Virginia Terhunes Phemies Temptation 1869 or The Lessons
239
Index
265
Copyright

Other editions - View all

Common terms and phrases

Bibliographic information