 But unto us she hath a spell beyond Her name in story, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city's vanish'd sway ; Ours is a trophy which will not decay With the Rialto ; Shylock and the Moor, And Pierre, can...  The Imperial Magazine - Page 2491834Full view - About this book
 | Bruce Haley - Literary Criticism - 2003 - 322 pages
...Venice, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city's vanish'd sway; Ours is a trophy which will not decay With the...arch! though all were o'er, For us repeopled were the solitary shore. (St. 4) These "dim forms" reflect what Hazlitt would call "the accidental occurrence... | |
 | Drummond Bone - Literary Criticism - 2004 - 340 pages
...story, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city's vanished sway; Ours is a trophy which will not decay With the...arch! though all were o'er, For us repeopled were the solitary shore. The beings of the mind are not of clay; Essentially immortal, they create And multiply... | |
 | Jonah Siegel - Literary Criticism - 2005 - 308 pages
...story, and her long array Of migfaty shadows, whose dim forms despond Above the dogeless city's vanish'd sway; Ours is a trophy which will not decay With the...the Arch! though all were o'er For us repeopled were the solitary shore. (4.28-36) While it begins with the historical importance of Venice ("Her name in... | |
 | James Chandler, Kevin Gilmartin - Literary Criticism - 2005 - 324 pages
...Paris as a trophy of his conquest, Byron suggests that English literature has its own literary spoils: Ours is a trophy which will not decay With the Rialto; Shylock and the Moor, And Pierre, cannot be swept or worn away — The keystones of the arch! though all were o'er, For us repeopled... | |
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